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Bill Cheatham
This is one of the first tunes I learned on the mandolin, but this version is based on the Ken Shibaki mandolin version.
At higher speeds, you can add more hammer-ons and pull-offs. At really fast tempos, I sometimes leave out the last three notes of measure 20.
Capo on 2 - Medium fast Part A G(A) C(D) 1 | | | | 2 | | | | 3 | | | | 4 | | | | |-----------------|-----------------|-----------------|-0-2-3-0---------| |-----3.--3.------|-----------------|---------1---1-3-|---------3-0-----| |*----4.--4.--0-2-|-4-0-2-4-2-0-----|-----0h2---------|-------------2-0-| |*0---------------|-------------2-0-|-0h2-------------|-----------------| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| _1________________ G(A) C(D) D7(E7) G(A) 5 | | | | 6 | | | | 7 | | | | 8 | | | | |-----------------|-----------------|---------0-2-3-0-|-----------------| |-----3.--3.------|-----------------|-1-0-1-3---------|-3-1-0-----------| |-----4.--4.--0-2-|-4-0-2-4-2-0-2-4-|-----------------|-------2-0---0-0*| |-0---------------|-----------------|-----------------|----------------*| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| _2________________ D7(E7) G(A) 16| | | | |-----------------| |-3-1-0-----------| |-------2-0-------| |-----------------| |-----------------| |-----------------| Part B G(A) C(D) D7(E7) G(A) D7(E7) 17| | | | 18 | | | | 19 | | | | 20 | | | | |-----3-----0-3-0-|---2-5-2-3-----0-|-3-2-3---0-2-3-0-|-----------------| |-0-3---3-1-------|-3-----------3---|-------3---------|-3-1-0-----------| |*----------------|-----------------|-----------------|-------0-2-------| |*----------------|-----------------|-----------------|-----------4-2-0-| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| _1_________________________________ G(A) C(D) D7(E7) G(A) D7(E7) G(A) 21| | | | 22 | | | | 23 | | | | 24 | | | | |-----3-----0-3-0-|---2-5-2-3-----0-|-3-2-3---0-2-3-0-|-----------------| |-0-3---3-1-------|-3-----------3---|-------3---------|-3-1-0-----------| |-----------------|-----------------|-----------------|-------2-0------*| |-----------------|-----------------|-----------------|----------------*| |-----------------|-----------------|-----------------|-----------------| |-----------------|-----------------|-----------------|-----------------| _2__________________________________ h3p D7(C7) G(A) 31| | | | 32 | | | | |-2h3-0-2---0-----|-----------------| |---------3---131-|-0---------------| |-----------------|---0-2---0-------| |-----------------|-------4---------| |-----------------|-----------------| |-----------------|-----------------| Variation on measures 17 and 18 (also for 21 and 22): G(A) C(D) D7(E7) G(A) 17| | | | 18 | | | | |-------3-0---0-3-|-2---2-5-3-----0-| |-3-0-3-----1-----|---3---------3---| |*----------------|-----------------| |*----------------|-----------------| |-----------------|-----------------| |-----------------|-----------------|
==================== == TABLATURE KEY == ==================== ---------- ----2h3--- Hammer-on ---------- ----3.---- Staccato h3p ----131--- Triplet with hammer-on and pull-off
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